1. |
The Elephant Tree
03:56
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2. |
Jump At The Sun
04:32
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3. |
Butcher Bird
05:04
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4. |
I Loved My Love
03:57
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5. |
The White Hare
03:25
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6. |
Jenny With The Lantern
04:33
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7. |
Domovoi
04:41
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8. |
Through Lonesome Woods
03:09
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9. |
The Roger Cotton
04:30
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10. |
On Mayfly Wings
03:20
|
Green Diesel Canterbury, UK
.’ fRoots – 'as if Mr Fox has met with Spriguns and No Right Turn in a prog-folk menage a trois...through a prism which
reflects 2017 not 1977'
Shindig! - 'a band with roots deep in the native soil, playing their own electric interpretations of ancient English music'
FolkWords - 'an established band simply getting better'
... more
If you like Green Diesel, you may also like:
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supported by 4 fans who also own “The Hangman's Fee”
Such a broad range of roots music styles; trad English, modern Scottish, Americana. The first track is fabulous, took me right back to teenage years listening to Fairport. Hope it gets the recognition it deserves
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Live From London
by Richard Thompson
supported by 4 fans who also own “The Hangman's Fee”
Guitarist and songwriter extraordinaire. Once heard, never forgotten.
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supported by 4 fans who also own “The Hangman's Fee”
Though only their third studio album release, these veterans have been around for almost fifteen years--and they keep getting better with each release--which is hard to manage since their quality of compositions, performances, and production have always been top notch. A band that really should be heard!
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Darkness begins to creep into the corners on the latest from Itasca.
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Nippon Acid Folk 1970-1980
by Time Capsule
The experimental spirit permeating this collection of Japanese acid folk foreshadowed the arrivals of city pop, the psych revival, and folktronica.
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The latest from UK artist MF Tomlinson sets sharp lyrics amidst a backdrop of acoustic guitar, lush keys, and soft percussion.
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Bloody Noses EP
by Richard Thompson
supported by 4 fans who also own “The Hangman's Fee”
John Drumbo French from Captain Beefheart and The Magic Band worked with Thompson on two albums along with Fred Frith and Henry Kaiser. Those two French, Frith, Kaiser and Thompson albums led me to this. Also, Richard Thompson taught Hugh Cornwell (of The Stranglers) how to play the bass guitar in a band when they were both at the same school (Emil and The Detectives?). With a career spanning 50 years and playing with two of my heroes (French and Cornwell) Thompson has produced a fascinating EP.
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